@AlbanyYEM said:

@FACTSAREUSELESS

Thanks man. I'm just theorizing here about Trey's intent and what's going on. The technical guitar stuff I believe is correct but I'm no expert on the pedal he uses.

Been thinking about it since Emu's review.....I prefer the distorted vamping Trey used in 2.0 to the pitch-shift thingy he's doing now. The problem with 2.0 was (in my view), Trey sacraficed clarity punctuation in favor of power and growl. So....if Trey's intention is to sort of marry the two concepts together with the whammy pedal, which is what I think he's attempting to do, then he seems to be falling short just a bit.

On the topic of effects, I thought his use of distortion and the loop was brilliant during Crosseyed & Painless, and also thought he played superbly during what I consider to be a far-above-average Harry Hood.

Just my thoughts.